{"id":8,"date":"2022-11-14T18:30:38","date_gmt":"2022-11-14T18:30:38","guid":{"rendered":"https:\/\/blogg.sh.se\/distrustingmonuments\/?page_id=8"},"modified":"2024-01-24T19:45:37","modified_gmt":"2024-01-24T19:45:37","slug":"participants","status":"publish","type":"page","link":"https:\/\/blogg.sh.se\/distrustingmonuments\/participants\/","title":{"rendered":"Participants"},"content":{"rendered":"\n

Cecilia Sj\u00f6holm<\/strong><\/p>\n\n\n\n

Cecilia Sj\u00f6holm is Professor of Aesthetics at S\u00f6dert\u00f6rn University. She has a PhD in Comparative Literature from Stockholm University and a PhD in Philosophy from Radboud University, Holland. Her research is particularly focused on the relation between art and politics in contemporary culture, and she has published extensively on aesthetics and critical theory. Her latest book, Through the Eyes of Descarte<\/em>s; Seeing, Thinking, Writing (Through the Eyes of Descartes; Seeing, Thinking, Writing (with Marcia Cavalcante Schuback, Indiana University Press 2024) looks at the relation between Descartes\u2019 thought and climate issues. She is one of the initiators of a new platform for research in the arts in times of climate change and societal transformation at S\u00f6dert\u00f6rn University.<\/p>\n\n\n\n

Sj\u00f6holm has published extensively on the history of aesthetics. Her books deal with art and Greek tragedy, aesthetics and phenomenology. Her books include Doing Aesthetics with Arendt; How to see Things with Columbia University Press (2015), Kristeva and the Political, London: Routledge. (2005) The Antigone Complex; Ethics and the Invention of Feminine Desire, Calif: Stanford University Press (2004)<\/em>. She has published a history of aesthetics as a history of reflection on the senses, with commented classical texts on aesthetics (Aisthesis I <\/em>2013, with Danius and Wallenstein, Aisthesis II<\/em> forthcoming). Sj\u00f6holm has collaborated with artists and institutions of art in many contexts. She is a member of the Committee for artistic research at The Swedish Research Council and has contributed to art catalogues many times.<\/p>\n\n\n\n


Recent publications, select list<\/strong><\/p>\n\n\n\n

Books<\/strong>
2024 Through the Eyes of Descartes: Seeing, Thinking Writing<\/em>, with Marcia Cavalcante, Indiana University Press.<\/p>\n\n\n\n

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2023 Aisthesis II<\/em>, with Sven-Olov Wallenstein, Stockholm: Thales<\/p>\n\n\n\n

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2021 Virkelighedssans:<\/em> Hannah Arendt om Kant og \u00e6stetik, Overs\u00e6ttelse og forord ved Mathias Overgaard. Serie: Konsten som Forum p\u00e5 tryk (K\u00f6penhamn: Billedkunstskolerne, 2021)<\/p>\n\n\n\n

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2020 Att se saker med Arendt<\/em>. G\u00f6teborg: Daidalos. Translation of Doing
Aesthetics with Arendt. How to See Things.<\/p>\n\n\n\n

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2019 \u201cSpeech in the Belly. Hannah Arendt and the Ear of Critical Thought\u201d. Zurich Distinguished Lectures. The Art of Interpretation. Ed. Frauke Berndt and Klaus M\u00fcller-Wille. Z\u00fcrich: K\u00f6nighausen & Neumann.<\/p>\n\n\n\n

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2015 Doing Aesthetics with Arendt; How to see Things<\/em>, New York: Columbia University Press.<\/p>\n\n\n\n

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2005 Kristeva and the Political<\/em>, London: Routledge.<\/p>\n\n\n\n

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2004 The Antigone Complex; Ethics and the Invention of Feminine Desire<\/em>, Calif: Stanford University Press.<\/p>\n\n\n\n

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Book chapters<\/strong><\/p>\n\n\n\n

2023 \u201cHelden des Negativen. Blanchot und politisches Bewu\u00dftsein\u201d In \u201dDie Apokalypse Entt\u00e4uscht\u201d, ed. Alexander Garica Duttmann & Markus Quent, Berlin: Diaphanes Verlag.<\/p>\n\n\n\n

2022 \u201cSounding. Arendt, music and poetry.\u201d In The Oxford Companion to the Phenomenology of Music<\/em>, ed. Benjamin Steege and Jessica Wiskus, Oxford University Press, forthcoming. <\/p>\n\n\n\n

2021 \u201cDen estetiska v\u00e4ndningen\u201d, essay in Natur och Kulturs Litteraturhistoria, ed. Carin Franz\u00e9n and H\u00e5kan M\u00f6ller, with Sven.Olov Wallenstein, 488-507. <\/p>\n\n\n\n

2020 \u201cFrom Denial to Forgiveness: Arendt, Kristeva and Radicalization.\u201d In The Philosophy of Julia Kristeva, Library of Living Philosophers, 36, Chicago: Open Court Publishing. Ed. Sarah Beardsworth, 719-735. <\/p>\n\n\n\n

2020 \u201cBurning Books: Sovereignty and the Fire of Literature\u201d i The Aesthetics of Violence, Gisle Selnes och Hans-Jacob Ohldieck (eds), Scandinavian Academic Press, 2020, s 107-127. (oa) <\/p>\n\n\n\n

2020 \u201cArt and performance\u201d in The Bloomsbury Companion to Hannah Arendt<\/em>, ed. Peter Gratton and Yasemin Sarri, 545-550. <\/p>\n\n\n\n

2019 \u201cVoicing Thought: Arendt, Poetry and Philosophy\u201d in Philosophy and Poetry. Continental Perspectives. Ed. Ranjan Ghosh. New York: Columbia University Press, 69-84. <\/p>\n\n\n\n

2019 \u201cArts\u201d, The Routledge Handbook of Psychoanalytic Political Theory, ed. Yannis Stavrakakis,(London: Routledge, 2019), 341-353. <\/p>\n\n\n\n

2018 \u201cVad \u00e4r verklighetens \u00f6ken?\u201d I Zizek som samtidskritiker, ed. Cecilia Sj\u00f6holm and Anders Burman, (Stockholm: Tankekraft) 19-31 <\/p>\n\n\n\n

2018 \u201cSann konst? Konst och offentlighet p\u00e5 2000-talet. ed Anna Nystr\u00f6m and Anders Olofsson. I det gemensamma, statens konstr\u00e5d, Art & Theory Publishing, 13-23. <\/p>\n\n\n\n

2017 Cecilia Sj\u00f6holm. \u201cDescartes, Emotions and the Inner Life of the Subject\u201d, The Palgrave Handbook of Affect Studies and Textual Criticism, Ed. Donald Wehrs (London: Palgrave, 2017), 649-667. <\/p>\n\n\n\n

2017 \u201cAntigone\u201d in \u201cHandbuch Literatur & Psychoanalyse\u201d Ed. Frauke Berndt & Eckart Goebel, (Berlin: De Gruyter, 2017), 305-319. <\/p>\n\n\n\n

2015 Doing Aesthetics with Arendt; How to see Things, New York: Columbia University Press.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Articles<\/strong>
2022 \u201dThe Thinking Fetus\u201d, in Emotions, History, Culture<\/em>, Society, 5 (20 21) 1\u201325<\/p>\n\n\n\n

2022 \u201cFigures of snow: Imagery and knowledge in Descartes\u2019 Meteorology\u201d, in Epoch\u00e9, Journal of the History of Philosophy, February 1, 2022 https:\/\/doi.org\/10.5840\/epoche202224206 <\/a><\/p>\n\n\n\n

2021 \u201dThe changing ontology of the image\u201d in The Nordic Journal of Aesthetics<\/em>, No. 61\u201362 (2021), pp. 166\u2013170<\/p>\n\n\n\n

2021 \u201dThought\u2019s last chances. On being bound and free\u201d, in Krisis<\/em>, Vol 41 nr 2 (2021). 70 years of Minima Moralia, p 90-91.<\/p>\n\n\n\n

2020 Cecilia Sj\u00f6holm: \u201cVisualizing the Rights of the Dead: Photography after Arendt\u201d Article 13 in World Records vol 4, In the Presence of Others https:\/\/vols.worldrecordsjournal.org\/04\/13<\/a><\/p>\n\n\n\n

2020 \u201cArendt in the City. The Architecture of Political Life\u201d, in OASE, Journal for Architecture # 106, 29-42. <\/p>\n\n\n\n

2020 \u201cDescartes och sn\u00f6flingorna\u201d in Anekdot. https:\/\/anekdot.se\/essa\/descartes-och-snoflingorna\/<\/p>\n\n\n\n

2019 \u201cFrossen subjektivitet. Adornos shakespearske drama.\u201d Agora, nr 4 2018-2019, 57-80. <\/p>\n\n\n\n

2018 \u201cVoices in the Belly. The Ear of Critical Thought\u201d. Stasis , European University of st Petersburg, Vol 6 No 1 2018, 138-152. Translated into Russian. Peer reviewed.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Art catalogues<\/strong>
2021 Thomas Magnusson R\u00f6tt och andra f\u00e4rger<\/em>, Konstakademien, Stockholm.<\/p>\n\n\n\n

2019 Dora Garcia \u2013 I Always Tell The Truth, Stockholm: Art And Theory Publishing, 57-79.<\/p>\n\n\n\n

2019 Meta Is\u00e6us-Berlin \u2013 Nattlogik, Prins Eugens Waldemarsudde, 10 pp<\/p>\n\n\n\n

2018 Helene Schmitz, Thinking Like a Mountain<\/em>, Prins Eugens Waldemarsudde, 105-109.<\/p>\n\n\n\n

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Gal Kirn<\/strong><\/p>\n\n\n\n

Gal Kirn is an Assistant Professor of Sociology of Culture and a Research Associate at the Faculty of Arts (University of Ljubljana). He holds a PhD in Philosophy with a dissertation that focused on the work of Louis Althusser and socialist Yugoslavia (University of Nova Gorica and ZRC SAZU). Abroad he has been working in the German academic context (Institute of Cultural Inquiry – ICI Berlin, Humboldt University, TU Dresden, GWZO Leipzig), where he pursued a range of topics from memory culture, avant-garde film to contemporary cultural and political theory. He is a member of international research group Partisan Resistances<\/em> (University of Grenoble), led a research project Counter Archives<\/em> (Rosa Luxembourg Foundation at ICI Berlin) and is currently leading a research project Protests, artistic practices and culture of memory in the post-Yugoslav context <\/em>(ARRS, J6-3144).<\/p>\n\n\n\n

Kirn’s research has focused most notably on the topics of ruptures and transitions in (post)socialist and (post)Yugoslav context, in particular, he studies the intersection of the fields of art, politics and memory in the period of national liberation struggle. He published two monographs Partisan Ruptures <\/em>(Pluto Press, 2019) and Partisan Counter-Archive<\/em> (De Gruyter, 2020), and co-edited (with Natasha Ginwala and Niloufar Tajeri) a volume Nights of the Dispossessed<\/em>. Riots Unbound<\/em> (Columbia Press, 2021), with Marian Burchardt Beyond Neoliberalism <\/em>(Palgrave, 2017) and with Katja Diefenbach, Sara Farris and Peter Thomas Encountering Althusser<\/em> (Bloomsbury, 2013).<\/p>\n\n\n\n

<\/p>\n\n\n\n

Selected bibliography<\/strong><\/p>\n\n\n\n

Books<\/strong><\/p>\n\n\n\n

2020<\/strong>: The Partisan Counter-Archive: Retracing the Ruptures of Art and Memory in the Yugoslav People’s Liberation Struggle<\/em>. De Gruyter: Berlin.<\/p>\n\n\n\n

2019<\/strong>: Parti\u00adsan Ruptures: Self-Management, Market Reform and the Spectre of Socialist Yu\u00adgoslavia<\/em>, Pluto Press: London.
2015<\/strong>: Partizanski prelomi in protislovja tr\u017enega socializma v Jugoslaviji,<\/em> Sophija: Ljubljana.
2012<\/strong>: Conceptualisation of politics and reproduction in the work of Louis Althusser: case of socialist Yugoslavia<\/em>, dissertation thesis, published in online repository by University of Nova Gorica: Nova Gorica. <\/p>\n\n\n\n

<\/p>\n\n\n\n

(Co)Edited books<\/strong>
2021<\/strong>: Nights of the Dispossesed: Riots Unbound<\/em>. Edited with Natasha Ginwala and Niloufar Tajeri. Columbia University Press: New York.
2017<\/strong>: Beyond Neoliberalism? Social Analysis after 1989<\/em>. Edited with Mar\u00adian Burchardt. Palgrave Macmillan: London.
2016<\/strong>: Yugoslav Partisan Art.<\/em> Guest Editors, with Jernej Habjan. Slavica tergestina \u2013 Euro\u00adpean Slavic Studies Journal, Volume 17.
2013<\/strong>: Co-editor (with Peter Thomas, Sara Farris and Katja Diefenbach) of Encountering Althusser<\/em>, Bloomsbury: New York.
2012<\/strong>: Co-editor (with Dubravka Sekuli\u0107 and \u017diga Testen) of Surfing the Black Wave. Transgressive moments in Yugoslav Cinema<\/em>, JvE Academy: Maastricht.
2010<\/strong>: Editor of the book Post-Fordism and Its Discontents<\/em>, Jan van Eyck Academy, B-Books and Peace Institute: Maastricht.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Selected articles (2023-2020)<\/strong>
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2023<\/strong><\/p>\n\n\n\n

\u2014Monumental Iconoclasm after 1989: Between Postsocialism and Decolonialism?, in:[Counter-]Monuments. Transitory Memory Practices in Public Space, eds. Maria Engelskirchen, Ursula Frohne and Marianne Wagner, Transcript, pp. 64-79 (Feb 2024)<\/p>\n\n\n\n

\u2014\u201cFemale Partisan Memory from Below: Landscapes of Resistance \/ Krajine upora (Marta Popovida, 2021)\u201d in: Kino! Revija za film, n.49, 2023.<\/p>\n\n\n\n

\u2014Partisan Ecology in Yugoslav Liberation and Antifascist Art, in: Baltic Worlds, ed. Cecilia Sj\u00f6holm, 2023 (4): 45-52.<\/p>\n\n\n\n

\u2014Women Figures and Everyday Life: Photo Counter-Archive of Unwanted Images, in Ekran, nov-dec., vol. 60, 2023.<\/p>\n\n\n\n

\u2014\u201eBetween past, present, and future imperfect collectives: A (Post)Yugoslav Dialogue\u201c (with Ana Vujanovi\u0107), in: Instituting: placemaking, refusal and organising in the arts and beyond<\/em>; hrsg. von Gigi Argyropoulou, Olga Schubert and Kostas Tzimoulis. Archive books: Berlin, 2023<\/p>\n\n\n\n

\u2014\u201dThe primitive accumulation of capital and memory: Mnemonic wars as national reconciliation discourse in (post-)Yugoslavia\u201c, in: Memory studies<\/em>, Jg. 15, Nr. 6, S. 1470-1483. DOI: 10.1177\/17506980221133724<\/a>, 2022.<\/p>\n\n\n\n

\u2014\u201dVielschichtig und revolution\u00e4r. Die jugoslawischen Partisanen-Gedenkst\u00e4tten \u201e (mit Roberta Burghardt), in: Informationen. Wissenschaftliche Zeitschrift des Studienkreises Deutscher Widerstand<\/em> 1933-1945 Jg. 47 (2022), H. 96, S. 13-18.<\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

\u201c\u2018The primitive accumulation of capital and memory\u2019: Mnemonic wars as national reconciliation discourse in (post-)Yugoslavia\u201d, Memory Studies journal, special issue Mnemonic Wars.<\/em> DOI: 10.1177\/17506980221133724<\/a><\/p>\n\n\n\n

\u00bbThirty years after the break-up of Yugoslavia: the primitive (dis)accumulation of capital and memory; or, how (not) to make this country great again\u00ab. Historical materialism<\/em>, ISSN 1465-4466, 2022, vol. 30, iss. 1, pp. 3-29, open access: https:\/\/brill.com\/view\/journals\/hima\/30\/1\/article-p3_2.xml.<\/a><\/p>\n\n\n\n

\u00bbCounter-archival surplus : remembering the partisan rupture in post-socialist times\u00ab. In Artl@s bulletin<\/em>, ISSN 2264-2668, 2022, vol. 11, iss. 1, pp. 14-28.<\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

\u00bbIn a partisan way : \u017delimir \u017dilnik%s Uprising in Jazak and the reconstruction of antifascist memory from below. Studies in Eastern European cinema<\/em>, pp. 1-16, open access: https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/2040350X.2021.2018868<\/a><\/p>\n\n\n\n

\u00bbBuilt to be torn down, fed to be starved, resurrected to be disposed of : capitalism is a riot, a riot from above\u00ab. In Nights of the dispossessed<\/em>: riots unbound. New York: Columbia Books, pp. 185-204. <\/p>\n\n\n\n

\u201cDissonance of Yugoslav Partisan Past in the Recent Revisionist Methodologies.\u201d In: Radelji\u0107 B., Gonz\u00e1lez-Villa C. (eds) Researching Yugoslavia and its Aftermath<\/em>. Societies and Political Orders in Transition. Springer, Cham. <\/p>\n\n\n\n

\u201cNew Yugoslavia: A Diasporic State?\u201d, peer-reviewed J-Bild journal, 5 (1), 83-106.<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

\u201cWas Dancing Possible During the Fascist Occupation of Yugoslavia?\u201d Yugoslav Performance Art<\/em>: On the Deferred Production of Knowledge (ed. by Goran Pavli\u0107). Special Issue of Apparatus.<\/em> Film, Media and Digital Cultures in Central and Eastern Europe<\/em> 11. DOI: http:\/\/dx.doi.org\/10.17892\/app.2020.00011.238<\/a>. <\/p>\n\n\n\n

\u201cReview of Elena Vogman\u2019s monograph Dance of Values. Sergei Eisenstein\u2019s \u2018Capital\u2019 Project\u201d<\/em>, in Apparatus<\/em>. <\/p>\n\n\n\n

\u201cTito’s no to Schmitt : against the compatibility of the partisan figures, against the Blut und Boden ideology of populism.\u201d Philosophy world democracy<\/em>, pp. 1-13. <\/p>\n\n\n\n

\u201cMediatisation of the Yu\u00adgoslav Partisan Struggle: Towards a New Counter-Archive\u201d (eds) Maru\u0161a Prusnik and Oto Luthar The Media of Mem\u00adory<\/em>. Leiden: Brill, pp. 63-84.<\/p>\n\n\n\n

\u201cMonuments in Ljubljana and Brus\u00adsels: From Nationalist Reconciliation to Open Rehabilitation of Fascism” (eds) Ayhan, Kaya and Chiara de Cesari, Pop\u00adulism and Memory<\/em>. London: Routledge, pp. 47-68.<\/p>\n\n\n\n

\u201cIconoclasm: from post-socialist Yugoslavia to Black Lives Matter\u201d
https:\/\/blog.degruyter.com\/iconoclasm-from-post-socialist-yugoslavia-to-black-lives-matter\/<\/a><\/p>\n\n\n\n

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Rebecka Katz Thor<\/strong><\/p>\n\n\n\n

REBECKA KATZ THOR is a writer and associate professor at REMESO, Linkoping University. She also works with the strategic vision and knowledge development for a permanent building for the Swedish Holocaust Museum. She holds PhD in Aesthetics from S\u00f6dert\u00f6rn University, Sweden. Her research interests are cultural memory studies, processes of commemorations in monuments and museums and political, historical, and ethical claims in contemporary art.<\/p>\n\n\n\n

She leads the research project Remember us To Life – Vulnerable Memories in a Prospective Monument, Memorial and Museum<\/em> (2021-2025), following three ongoing commemorative projects in Sweden. She is also a researcher in the project Distrusting Monuments \u2013 Art and the War in Former Yugoslavia<\/em> (2022-2025). She is part of a network, funded by the Swedish Research Council, called A new generation of scholars of antisemitism: Novel approaches to antisemitism, the Holocaust and Jewish identity in a post-secular conjuncture of contemporary Europe<\/em>. <\/p>\n\n\n\n

She was a visiting scholar at the Department of English and Comparative Literature at Columbia University during spring 2022 and has been a researcher in Art History at Stockholm University, in Aesthetics at S\u00f6dert\u00f6rn University and at Engaging Vulnerability, Uppsala University. She is co-chair of Memory Studies Association Nordic from February 2023. Her dissertation Beyond the Witness \u2013 Holocaust Representation and the Testimony of Images<\/em> investigates the image-as-witness in three films made of archival materials. She was employed as Editor for in-depth material – Research and Reflection at Public Art Agency Sweden from April 2019-December 2020. She has an MA from the New School for Social Research, New York and was a researcher at the Jan van Eyck Academie, Maastricht.<\/p>\n\n\n\n


Selected Publications: <\/strong>
Katz Thor, Rebecka. Beyond the Witness \u2013 Holocaust Representation and the Testimony of Images<\/em>, dissertation, Art and Theory Publishing 2018. ISBN 978-91-88031-61-7<\/p>\n\n\n\n

Katz Thor, Rebecka Concepts for Contemporary Monuments, Vol. XVI:4. Baltic Worlds 2023. Pp 54-58.
 
Katz Thor, Rebecka, Postmonuments? A Discontinued Project, A Current and A Prospective Monument In Sweden, Politeja No. 3(84), 2023. pp. 5- 18.<\/p>\n\n\n\n

Katz Thor, Rebecka, Att se bortom seendets gr\u00e4nser, Bildkonflikter<\/em>, Kultur & Klasse, \u00c5rg. 50 Nr. 133, eds. Rebecka Katz Thor, Karen Magrehte Simonsen & Cecilia Sj\u00f6holm, 2022. Pp. 63-77.
 
Katz Thor, Rebecka, An Eternal Witness, Thresholds 50: Before \/\/ After<\/em>, Eds: Jola Idowu, Ardalan Sadeghi Kivi, Meriam Soltan and Antonio Pacheco, Boston: MIT Press, pp. 103-105.<\/p>\n\n\n\n

Katz Thor, Rebecka, \u201dMinne och monument – f\u00f6rhandlingar om sa\u030arbarhet och so\u0308rjbarhet i det offentliga rummet\u201d, Tidskriften Gla\u0308nta, 2021. Pp. 5-15.<\/p>\n\n\n\n

Katz Thor, Rebecka, Att minnas och representera f\u00f6rintelsen, L\u00e4robok om F\u00f6rintelsen i Sverige, Natur & Kultur, forthcoming January 2024.<\/p>\n\n\n\n

Katz Thor, Rebecka, Monumental Tiredness \u2013 The time and function of monuments, Public Art, Public Memory<\/em>, Stockholm: Art & Theory, eds. Annika Enqvist, Rebecka Katz Thor, Karolina Modig & Joanna Zawieja, September 2022. Pp. 19-27.
 
Katz Thor, Rebecka, Vulnerable Memories\u2014Monuments and Grievability, Thinking through G\u00f6teborg International Biennial for Contemporary Art<\/em>, ed. Lisa Rosendahl, Milan: Mousse Publishing 2022. Pp. 166-183.
 
Katz Thor, Rebecka, \u201dMich wird es geben\u201d, Was denkt das Denkmal? Eine Anthologie zur Denkmalkultur<\/em>, ed. Tanja Schult & Julia Lange, K\u00f6ln: B\u00f6hlau Verlag 2021. pp. 17-26.
 
Katz Thor, Rebecka, En blick bortom seendets gr\u00e4nser, Blick, r\u00f6relse, r\u00f6st<\/em>: Festskrift till Cecilia Sj\u00f6holm, eds. Rebecka Katz Thor & Erik Wallrup, Stockholm: S\u00f6dertr\u00f6n University Press 2020, pp. 51-55.
 
Katz Thor, Rebecka, Iha\u030agkom oss till liv, Att hopfoga den so\u0308nderfallande va\u0308rlden<\/em>: LENKE ROTHMAN, Alina Chaiderov, Gery Georgieva, ed. Joanna Nordin<\/em>, Nyko\u0308ping: So\u0308rmlandsmuseum 2019, pp. 44-53.
 
Katz Thor, Rebecka, The Limits of the Reconcilable: Arendt, Eichmann, and Heidegger, On Reconciliation \/ U\u0308ber Verso\u0308hnung<\/em>, ed. Dora Garcia, Berlin: K-Verlag 2018. ISBN 978-3-9818635-2-9, pp. 49-59.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cecilia Sj\u00f6holm Cecilia Sj\u00f6holm is Professor of Aesthetics at S\u00f6dert\u00f6rn University. She has a PhD in Comparative Literature from Stockholm University and a PhD in Philosophy from Radboud University, Holland. Her research is particularly focused on the relation between art and politics in contemporary culture, and she has published extensively on aesthetics and critical theory. … Continue reading Participants<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":50,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":560,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/8\/revisions\/560"}],"wp:attachment":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}