{"id":277,"date":"2022-11-14T17:45:35","date_gmt":"2022-11-14T17:45:35","guid":{"rendered":"https:\/\/blogg.sh.se\/distrustingmonuments\/?page_id=277"},"modified":"2024-01-24T11:39:49","modified_gmt":"2024-01-24T11:39:49","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogg.sh.se\/distrustingmonuments\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Baltic Worlds 2023:4&nbsp;Theme:&nbsp;Monuments, new arts, and new narratives<\/strong><\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-content\/uploads\/2024\/01\/Theme_Section_Baltic_Worlds_2023_4.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Theme_Section_Baltic_Worlds_2023_4.\"><\/object><a id=\"wp-block-file--media-0f457a92-91d4-4e9a-bbb6-e504b0a0fbd1\" href=\"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-content\/uploads\/2024\/01\/Theme_Section_Baltic_Worlds_2023_4.pdf\">Theme_Section_Baltic_Worlds_2023_4<\/a><a href=\"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-content\/uploads\/2024\/01\/Theme_Section_Baltic_Worlds_2023_4.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-0f457a92-91d4-4e9a-bbb6-e504b0a0fbd1\">Download<\/a><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n<p>\u00a0<\/p>\n<p><strong>Katz Thor, Rebecka<\/strong><\/p>\n<p>\u2014Concepts for Contemporary Monuments, Vol. XVI:4. Baltic Worlds 2023. Pp 54-58.<\/p>\n<p>\u2014Postmonuments? A Discontinued Project, A Current and A Prospective Monument In Sweden, Politeja No. 3(84), 2023. pp. 5- 18.<br \/><a href=\"https:\/\/journals.akademicka.pl\/politeja\/article\/view\/5345\">https:\/\/journals.akademicka.pl\/politeja\/article\/view\/5345<\/a><\/p>\n<p>\u2014&#8221;An Eternal Witness, Thresholds 50: Before \/\/ After\u201d, Eds: Jola Idowu, Ardalan Sadeghi Kivi, Meriam Soltan and Antonio Pacheco, Boston: MIT Press, pp. 103-105<\/p>\n<p>\u2014\u201dMonumental Tiredness \u2013 The time and function of monuments\u201d, Public Art, Public Memory, Stockholm: Art &amp; Theory, eds. Annika Enqvist, Rebecka Katz Thor, Karolina Modig &amp;amp; Joanna Zawieja, September 2022. Pp. 19-27.<\/p>\n<p><span style=\"text-decoration: underline;\">Editorial:<\/span><br \/>Contract: anthology to be published with De Gruyter, in the series of Media and Cultural Memory: Struggling with Fascism. Art, Politics and Memory Wars in Recent History.<\/p>\n<p><strong>Kirn, Gal<\/strong><\/p>\n<p>\u2014Monumental Iconoclasm after 1989: Between Postsocialism and Decolonialism?, in:[Counter-]Monuments. Transitory Memory Practices in Public Space, eds. Maria Engelskirchen, Ursula Frohne and Marianne Wagner, Transcript, pp. 64-79 (Feb 2024)<\/p>\n<p>\u2014\u201cFemale Partisan Memory from Below: Landscapes of Resistance \/ Krajine upora (Marta Popovida, 2021)\u201d in: Kino! Revija za film, n.49, 2023.<\/p>\n<p>\u2014Partisan Ecology in Yugoslav Liberation and Antifascist Art, in: Baltic Worlds, ed. Cecilia Sj\u00f6holm, 2023 (4): 45-52.<\/p>\n<p>\u2014Women Figures and Everyday Life: Photo Counter-Archive of Unwanted Images, in Ekran, nov-dec., vol. 60, 2023.<\/p>\n<p>\u2014\u201eBetween past, present, and future imperfect collectives: A (Post)Yugoslav Dialogue\u201c\u00a0(with Ana Vujanovi\u0107), in:\u00a0<em>Instituting: placemaking, refusal and organising in <\/em><em>the arts and beyond<\/em>; hrsg. von Gigi Argyropoulou, Olga Schubert and Kostas Tzimoulis. Archive books: Berlin, 2023<\/p>\n<p>\u2014&#8221;The primitive accumulation of capital and memory: Mnemonic wars as national reconciliation discourse in (post-)Yugoslavia\u201c, in: <em>Memory studies<\/em>, Jg. 15, Nr. 6, S. 1470-1483. DOI: <a href=\"https:\/\/journals.sagepub.com\/doi\/10.1177\/17506980221133724\">10.1177\/17506980221133724<\/a>, 2022.<\/p>\n<p>\u2014&#8221;Vielschichtig und revolution\u00e4r. Die jugoslawischen Partisanen-Gedenkst\u00e4tten \u201e (mit Roberta Burghardt), in: <em>Informationen. Wissenschaftliche Zeitschrift des Studienkreises Deutscher Widerstand<\/em> 1933-1945 Jg. 47 (2022), H. 96, S. 13-18.<\/p>\n<p><strong>Sj\u00f6holm, Cecilia<\/strong><\/p>\n<p>\u2014\u201cHelden des Negativen. Blanchot und politisches Bewu\u00dftsein\u201d In \u201dDie<br \/>Apokalypse Entt\u00e4uscht\u201d, ed. Alexander Garica Duttmann &amp;amp; Markus<br \/>Quent, Berlin: Diaphanes Verlag. 2023.<\/p>\n<p>\u2014\u201dThe <em>archein<\/em> of a burial. Antigone and contemporary memory culture\u201d<br \/>Ed Elena Tzelepis in Synthesis. An anglophone Journal of Contemporary literary studies, University of Athens, 15 pp, forthcoming<\/p>\n<p>\u2014\u201cHannah Arendt und die Weltlichkeit der K\u00fcnste,\u201d ed. Judith Siegmund and Marita Tatari. \u00c4sthetiken X.0 &#8211; Zeitgen\u00f6ssische Konturen \u00e4sthetischen Denkens, Metzler Verlag 15pp, forthcoming<\/p>\n<p>\u2014\u201dAnimating brutalism \u2014 cinematic renderings of Yugoslav monuments.\u201d Baltic Worlds 2023:4, 34-41.<\/p>\n<p>\u2014\u201cArendt on war crimes: transitional justice in the arts\u201d in <em>Representations<\/em>, University of California Press, forthcoming,<\/p>\n<p><span style=\"text-decoration: underline;\">Editorial:<\/span><\/p>\n<p>Editor of special issue of Baltic Worlds: Monuments, new arts and new narratives, author of introduction. <a href=\"https:\/\/balticworlds.com\/wp-content\/uploads\/2023\/12\/Theme_Section_Baltic_Worlds_2023_4.pdf\">https:\/\/balticworlds.com\/wp-content\/uploads\/2023\/12\/Theme_Section_Baltic_Worlds_2023_4.pdf<\/a><\/p>\n<p>Contract: anthology to be published with De Gruyter, in the series of Media and Cultural Memory: Struggling with Fascism. Art, Politics and Memory Wars in Recent History.<\/p>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Baltic Worlds 2023:4&nbsp;Theme:&nbsp;Monuments, new arts, and new narratives \u00a0 Katz Thor, Rebecka \u2014Concepts for Contemporary Monuments, Vol. XVI:4. Baltic Worlds 2023. Pp 54-58. \u2014Postmonuments? A Discontinued Project, A Current and A Prospective Monument In Sweden, Politeja No. 3(84), 2023. pp. 5- 18.https:\/\/journals.akademicka.pl\/politeja\/article\/view\/5345 \u2014&#8221;An Eternal Witness, Thresholds 50: Before \/\/ After\u201d, Eds: Jola Idowu, Ardalan Sadeghi &hellip; <a href=\"https:\/\/blogg.sh.se\/distrustingmonuments\/publications\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Publications<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-277","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/comments?post=277"}],"version-history":[{"count":28,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/277\/revisions"}],"predecessor-version":[{"id":554,"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/pages\/277\/revisions\/554"}],"wp:attachment":[{"href":"https:\/\/blogg.sh.se\/distrustingmonuments\/wp-json\/wp\/v2\/media?parent=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}